STEPHANIE LAND “NEGATIVES PRESERVED”

Through geographic, cultural, political, and intimate investigations that examine white feminism and white supremacy as a history with a continuous, harmful present, Stephanie Land’s exhibition Negatives Preserved, examines how the artist’s own histories intersect with America’s racial histories to determine relationships to land, gender, queerness, family, resource-sharing, and safety. Through mixed media that weaves together sculpture, photography, architecture, mapping, repetition, and the archive, Negatives Preserved investigates beginnings and middles instead of endings to confront individual complicity and the weight of whiteness.